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Barbra Connection: South Pacific

 

Barbra and the Musicals of Broadway

The King and I

My Lord and Master
People
(1964)

I Have Dreamed
The Broadway Album (1985)

We Kiss In A Shadow
The Broadway Album (1985)

Something Wonderful
The Broadway Album (1985)

   

   

1951: The King and I at the St. James Theatre

"The King and I" was a five time Tony award winning musical when it first played Broadway. The show opened on March 29, 1951 at New York's St. James Theatre and lasted 1,246 performances. Yul Brynner as The King and Gertrude Lawrence as Mrs. Anna were awarded Best Actor and Best Actress Tonys for their performances. Tony Awards were also given to "The King and I" for Best Musical, and to Irene Sharaff for Best Costume Design.

Three notable revivals of "The King and I" were presented on Broadway over the ensuing decades. Yul Brynner reprised his role in two of them. In 1977, he and Constance Towers played 695 performances in a stunning revival at the Uris Theatre. Shortly before his death, Brynner gave theatre-goers one final look at his classic portrayal. His 1981 reprise as The King played the Broadway Theatre and lasted 191 performances. In 1996, a new generation had a go at the story of Anna and the King. Lou Diamond Phillips and Donna Murphy starred at the Neil Simon Theatre and went on to give 780 performances. The show was up for eight Tonys and won four, including Best Musical Revival and Best Actress in a musical for Murphy.

"The King and I" is based on the story "Anna and the King" which was written in 1944 by Margaret Landon. The musical is a quasi-biographical story taken from the diaries of school teacher Anna Leonowens, a British tutor who was brought to Siam to teach the children of the royal court. Anna and the King confront one another in a social dynamic that becomes a challenge of pride vs. will. European parliamentary culture and Siam's eastern autocracy achieve cultural compromise with the passing of The King. The next King to ascend the thrown is one of the children taught by Anna.

The music of "The King and I" was written by Rodgers and Hammerstein and the original production was directed by Christopher Renshaw. Jerome Robbins choreographed the show's musical dance sequences.

The film version of "The King and I" came out in 1956 starring Yul Brynner and Deborah Kerr. The picture was nominated for nine Oscars and won five, including Best Actor (Brynner) and Best Costume Design (Sharaff).


Something wonderful . . .

A lesser known number from "The King and I" was included in one of Barbra Streisand's earliest studio albums. "My Lord and Master" is featured on Barbra's fourth album, "People" and h
er rich vocal rendition of the ballad is a delivered in Streisand's typical theatrical style. Despite it being, as Barbra might say, "a dependent victim" song, "My Lord and Master" was a perfect addition to the collection of songs that made up one of her best albums.

When Barbra championed her 1985 album, "The Broadway Album," it was only fitting that several "King and I" ballads were to be included. Heartfelt performances of "We Kiss In A Shadow," "I Have Dreamed" and "Something Wonderful" are included in marvelous medley.

So good was this performance that Warner Bros. borrowed Barbra's medley and included it in in their animated version of 1999's "The King and I" (right). Barbra's vocal performance is heard over the closing credits.

A medley of "Shall We Dance" and "Hello Young Lovers" was recorded by Barbra for possible inclusion on "The Broadway Album." The number features an brisk up-tempo arrangement, but was never released.


Rodgers and Hammerstein

On May 16, 1969, Barbra Streisand was roasted by several world famous composers at the Friar's Club in New York, the first woman to be so honored. Among the many composers paying tribute to Barbra that evening was Richard Rodgers (that's Rodgers directly behind Barbra). Barbra said, "For them to sing me their songs, with special lyrics written by Sammy Cahn (Richard Rodgers wrote his own) was an unforgettable honor."  For his part that evening, Rodgers serenaded Barbra with special poignant lyrics to his composition, "The Sweetest Sounds":

"The sweetest sounds she's ever made are still inside her head.
The best reviews she's ever had, are waiting to be read.
The notes that issue from her throat, will still be lovely things,
And the world will know its happiest times, when wondrous Barbra sings,
Whenever Barbra, our Barbra, sings."
 

The Rodgers & Hammerstein-Streisand Songbook:

Rodgers and Hammerstein

My Lord and Master
   People
My Favorite Things
   A Christmas Album
The Sound of Music
   A Happening in Central Park
A Cock-eyed Optimist
   Streisand Live in Concert 2006
Carefully Taught
   Streisand Live in Concert 2006

You'll Never Walk Alone
   The Essential Barbra Streisand
We Kiss In A Shadow
   The Broadway Album
I Have Dreamed
   The Broadway Album
Something Wonderful
   The Broadway Album
If I Loved You
   The Broadway Album
Some Enchanted Evening
   Back to Broadway
 

Rodgers and Romberg

Lover, Come Back To Me
   The Second Album
Stout Hearted Men
   Simply Streisand
One Kiss
   Color Me Barbra

Rodgers and Hart

Where or When
   Color Me Barbra
Bewitched, Bothered and Bewildered
   The Third Album
My Funny Valentine
   Simply Streisand
Johnny One Note
... Musical Instruments
Glad To Be Unhappy
  ... Musical Instruments
Quiet Night
   My Name Is Barbra, Too...
Where's That Rainbow
   My Name Is Barbra, Too...

Hammerstein and Kern

Make Believe
   The Third Album
All The Things You Are
   Simply Streisand
Don't Ever Leave Me
  ... Musical Instruments
Can't Help Lovin' That Man
   The Broadway Album
 

Richard Rodgers

The Sweetest Sounds
   ... Musical Instruments


The Post 9/11 Emmys

On November 4, 2001, Barbra Streisand made a surprise singing appearance on the Emmy awards telecast. Her performance was crafted as a tribute to the victims of 911, and for the occasion, she chose the Rodgers and Hammerstein composition, "You'll Never Walk Alone." The ballad is from the musical, "Carousel" and Barbra's rendition spoke emotional volumes to every American who had, just two months earlier, lived through one of the darkest days in American history. Barbra performed amid a backdrop that listed the names of the people killed in the attack. Her raw emotion surfaced at the conclusion of the performance when the entire audience at the Shrine auditorium leapt to their feet in thunderous acclaim. It was arguably Barbra's finest televised moment, one few won't ever forget.B

Besides selections from "The King and I," Barbra has recorded a multitude of other songs by Rodgers and Hammerstein (as a team),
as well as countless compositions through their individual collaborations with Lorenz Hart, Jerome Kern and Sigmund Romberg.